I wanted to work on a seascape and decided to add a ship wreck in the scene to create a dramatic horizon. I was interested in both sky and land scape equally, so I decided to have the horizon central.

I used the mirror tool in SketchbookPro for the reflection in the wet sand.

I created two different outcome for this environment as I had to clear ideations once I had build the environment. The other one to follow!

I used an environment from an earlier artwork and during the process I had an idea for a different narrative - hope you like it!

Hi guys, I'm unsure as usual about color saturation and light/dark contrast and would need feedback on this. Other than that, what do you guys think about storytelling? Is it still too little or does the image get too crowded otherwise, for example if there are still some bodies on the ground in the back painting or running people?

For a book illustration test brief, a sample created as a test of the artists work, workflow, interpretation of the brief, attention the detail and adherence to time constraint.

3DSMax was used to create some simple rock formations. I enjoyed the lighting and composition challenge. Arid having little or no rain; too dry or barren to support vegetation.

Sand, rock and stone, a scorched besieged castle entrance, no homecoming.

SketchbookPro, 3DSMax,Unreal, substance Painter

The last temple gate - daily artwork

Various iteration on this one and all with slightly different assets to create the scenes.

Development of ideas through multiple iterations.

I did get lost up in these mountains, it was cold and somewhat decollate, void of emotion, yet full of potential.

Paifang or Pailou - temple gate

Snowbow, Mountain retreat - snowfalls - daily artwork

Thought of the word Snowbow after the word Rainbow, as it’s snowing not raining - not sure if snowfall could cause a rainbow!

Personal work. Concept art: Extreme Dancing