Pinned posts

How to Succeed on Social Networks — Part One: The Pillars- A Copy from My Medium Series---------------------------------------------------------------Hello! I’m Patrice, the CEO of IAMAG, previously known as IT’S ART. I developed the first version of our website almost 18 years ago. Over the years, I’ve witnessed the rise of social networks and learned how to create a sustainable presence there, among other things.Since its early days, IAMAG’s social presence has grown steadily, reaching a global audience of over 650K followers despite ups and downs. For more than a decade, I’ve worked with artists and studios, observing how some struggle to maintain a presence on social networks.Your Identity before anything elseGrowing an audience on these platforms is becoming difficult. However, I want to assure you that those who think it’s over are misplaced. It is still crucial for artists to invest time and energy into these networks to succeed and expand their reach. Before starting, please remember that having your website is a mandatory complementary part of developing an efficient social presence and growth for many reasons that will be explained in detail later.However, performing well on social networks is one of many challenges. There are also a few misconceptions and paradoxes. Users expect a free product to deliver the best results, and while they want to grow their network, they often desire to stay within a niche artist community.These issues often arise because many people need to consider how to leverage the platform to achieve their goals before using social networks. The primary question I pose to anyone seeking my advice on this topic is, “What’s your goal? What do you want to achieve?” This question is often accompanied by another that can be pretty shocking: “What do you want to sell?”Answering these questions requires time and careful thought. Many struggle with the second question, “What am I “selling?” because “it’s not apparent. Even without a physical or digital product, you’re your name as if it were a brand — to get a job, grow an audience, or achieve other goals.Let’s discuss two critical questions:What’s the goalThis question should trigger many answers and serve as a starting point for brainstorming. Your goal might change after some time, but beginning a strategy with a clear explanation is essential. If your goal is merely to gain more followers or likes, that’s not a substantial goal for an artist. You must dive deeper to understand your motivations and dreams, which will connect to the question: What do you sell?Some possible goals include finding your dream job, publishing a book, getting noticed by a producer, working on a specific project or IP, or creating your brand. Reflect deeply to find your unique goal, often a long-held dream or part of your identity.What Do You Want to Sell?This is where your goal connects with what you want to sell. Once linked, these answers will define ‘how to make this happen’ using social networks — a topic we’ll cover in a future article, the Strategy part.It seems straightforward if your goal involves tangible outcomes like ‘creating ‘an art book’ or ‘hosting’ an exhibition. However, in many other cases, you must accept that you’re yourself as a person, essentially becoming a brand.For many artists, this can feel awkward or unappealing, but it’s essential if you want to use social networks to increase your presence and achieve your goals.This may seem disconnected from how social networks function, but it’s a crucial mindset to adopt before posting differently or more strategically.Even if this seems fundamental or theoretical, I hope it helps you somehow. I’d love to hear your thoughts and whether you’d like to see more in this series.Next, I’ll dive into the concept of social bubbles and social audiences to better understand future strategic directions. New Content on IAMAG Master Classes Online: Blender Master Class - Animate a 1950s Cityscape with a Classic CarIn this Blender Master Course, Šime Bugarija guides you through creating 1950s-style city scenes and animations. You’ll work on two projects: a quick, flexible scene and a detailed, reference-based one.Details: Click here for more informationIf you don't want to become a member and want to only access this course, it's available for $14.99, with unlimited access to the tutorial and all resources.For our premium subscribers or those with the Lifetime option, this new content is available without any extra charges. If you're interested in knowing more about Lifetime access, which gives you access to more than 700+ hours of content and all future content produced by IAMAG, please check this page.Thanks to all who support IAMAG! Becoming a Lifetime member enables us to continue adding more quality content to our platform.
Sorted by
Latest activity Popular Newest posts
  in  đŸŽ¨ share-your-art
May 10, 2022

My take on the greek godess of love

  in  đŸŽ¨ share-your-art
May 10, 2022
1 / 8
2 / 8
3 / 8
4 / 8
5 / 8
6 / 8
7 / 8
8 / 8

Commission work - local church publications

  in  đŸŽ¨ share-your-art
April 29, 2022
2
  in  đŸŽ¨ share-your-art
May 02, 2022
1 / 4
2 / 4
3 / 4
4 / 4

I wanted to work on a seascape and decided to add a ship wreck in the scene to create a dramatic horizon. I was interested in both sky and land scape equally, so I decided to have the horizon central.

I used the mirror tool in SketchbookPro for the reflection in the wet sand.

  in  đŸŽ¨ share-your-art
April 29, 2022
1 / 2
2 / 2

I created two different outcome for this environment as I had to clear ideations once I had build the environment. The other one to follow!

  in  đŸŽ¨ share-your-art
April 29, 2022
1 / 2
2 / 2

I used an environment from an earlier artwork and during the process I had an idea for a different narrative - hope you like it!

  in  đŸŽ¨ share-your-art
April 19, 2022
2
  in  đŸŽ¨ share-your-art
April 22, 2022

Hi guys, I'm unsure as usual about color saturation and light/dark contrast and would need feedback on this. Other than that, what do you guys think about storytelling? Is it still too little or does the image get too crowded otherwise, for example if there are still some bodies on the ground in the back painting or running people?

2
  in  đŸŽ¨ share-your-art
April 28, 2022
1 / 5
2 / 5
3 / 5
4 / 5
5 / 5

For a book illustration test brief, a sample created as a test of the artists work, workflow, interpretation of the brief, attention the detail and adherence to time constraint.

3DSMax was used to create some simple rock formations. I enjoyed the lighting and composition challenge. Arid having little or no rain; too dry or barren to support vegetation.

  in  đŸŽ¨ share-your-art
April 25, 2022
1 / 4
2 / 4
3 / 4
4 / 4

Sand, rock and stone, a scorched besieged castle entrance, no homecoming.

SketchbookPro, 3DSMax,Unreal, substance Painter

2